View and Download Akai XR10 operator’s manual online. 16 bit pcm drum machine. XR10 Music Equipment pdf manual download. This page contains information about the Operator’s Manual for the XR10 from Akai. Preview and download studio quality samples from the AKAI XR Download samples and manuals from some of the best electronic instruments.

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The Mode pad in the lower half of the front panel cycles you around the XR10’s four modes – Pattern, Song, Sound and Utility – while the Edit pad takes you in and out of the edit pages in Song and Pattern modes.

Of course, if you’re slaving the drum mabual off a sequencer then this doesn’t matter, and having to go through the tempo page each time you exit Pattern Record dr10 even more irksome. Next article in this issue Tears For Fears. The XR10 loops continuously in real-time record mode in familiar fashion, allowing you to overdub new parts on each pass. Rhythms can be recorded into akak XR10’s User pattern memory using an external MIDI instrument like an Octopad, and the good news here is that dynamics are recorded – though they appear to be quantised to one of 15 levels, in accordance with the way that dynamics are entered in step-time.


Akai’s drum machine also has 32 User Sound locations which can be used as copy locations when you want to create more than one version of a Preset Sound. The time between MIDI note on and note off transmission is quite short, so you might find that you need to tailor the amplitude envelope s of any external synth x1r0 s that you want to play in this way.

Tuning the Sounds down introduces a certain amount of aliasing and noise; personally I think that just makes the Sounds more interesting, but if you’re of the opinion that cleanliness is next to Godliness, then you won’t agree. In real-time record you can set the metronome click rate from quarter to 16th notes or off and the record quantisation from quarter to 48th notes or off – maximum resolution ; these values can be changed at any time, so you’re not limited to one quantisation value per pattern, and you can switch off the metronome after you’ve put down a beat.

Cleaning with alcohol or various stuff will do nothing and can worsen situation for sure, best solution is electro conductive solution. The XR10 allows a very ready interaction between Preset and User rhythms in both Pattern and Song modes, but sadly this doesn’t extend to being able to select User rhythms from the front-panel pads as you can Preset rhythms.


Each Preset Sound has 12 parameters: Searchable archive of old, out-of-print music production magazines. The drum machine always plays the Sounds programmed on each step, so with the various scrolling options available to you, it’s easy to listen to a pattern in more-or-less real time while you’re in step-time mode.

The 24 rubber pads spread across the lower part of the XR10’s front panel include 15 non-dynamic pads for triggering the Sounds – an already healthy number which is effectively expanded to by the inclusion of ten Pad Banks, or “drumkits”, the first five of which have fixed Sound-to-pad assignments. Fun and weird XR10 video from Japan: Akai XR 42 out of based on 1 user ratings.

The manual gives no indication of the XR10’s note storage capacity, but after indulging in some pattern-copying to fill up the memory I’d estimate it at just short of notes, which means you’re unlikely to be able to record 99 four-bar patterns unless you’re into very sparse rhythms.

I also have to wonder if whoever programmed the disco rhythms has ever heard any disco music. For each pad hit, the XR10 records the pad and the Bank it’s in. These latter parameters allow you to come up with many variations on the source Sounds, so that in practice the XR10 is a good deal more “open-ended” sonically than akqi lack of a PCM ROM sample card slot might otherwise suggest.

Fortunately, it wasn’t as terrible as it could have been, because I’d just previously copied the pattern and was recording into the copy. Review by Simon Trask. One thing these instruments have in common is sonic expandability – the MPC60 because it can sample, the XE8 because it can avail itself of a dedicated sample-card library.

The XR10’s maximum record resolution is 96ppqn. Notes are assigned a default velocity value by the XR10, but you can change that value by xrr10 down the Accent pad and tapping one of the 15 instrument pads each xg10 plays the currently-selected instrument at a different velocity strength. So does the XR10 signal a new direction for the drum machine? With some nifty fingerwork on the numeric keypad and the rhythm selector pads you can combine rhythms from different Presets while the XR10 is running in Play mode, so that, for instance, you could experiment with dropping a fill-in or a break from a salsa rhythm into a variation from an electro rhythm.

This does rather lessen the usefulness of having pattern-specific tempi – particularly as the XR10 allows you to give each of its Songs an initial tempo but has no facility for introducing tempo changes during a Song.


Other Media Files : Akai XR10

In practice, there are many irritating aspects of the XR10’s mxnual interface, but whoever decided that the XR10 should default to Preset pattern 01 every time you enter Pattern mode or return to the pattern play level from the edit level, should definitely be shot. In fact, Akai’s new budget drum machine is both – does it combine the best of both worlds?

Whereas the variations always start playing from the beginning of a bar, you can drop in a fill-in or break rhythm from any crotchet in the bar.

Note entries system works in 2 different modes: Most of the samples are old school big drums, acoustic gated toms but also electro percussions in a perfect Kraftwerk-like style. THE XR10 ISN’T the best thought-out or the best specified drum machine in the world, but maanual does sound rather manal, with a real meaty, beaty, big and bouncy sound.

A more alai error message than “Oops! Back panel terminals connectors: Basically it’s more appealing sonically than it is operationally, but then people hear the sounds, not the operation.

Patterns can include Sounds from any of the Pad Banks, giving you a wide range of sounds to draw on within each pattern.

Please Contribute to mu: Including preset rhythms on a programmable drum machine isn’t unheard of, but Akai have taken the preset ethos a step further on the XR10 by providing variation, fill-in, intro, break and ending rhythms for each of the 50 Presets and allowing you to select them from front-panel instrument pads.

The XR10 also has presets of another kind, namely preset manuaal.

THE XR10 PROVIDES you with ten kicks, ten snares, two rimshots, three hi-hats closed, mid and open12 toms 4 x low, mid and hightwo crash cymbals, one ride cymbal, one choke cymbal, handclaps, finger click, four congas, vibraslap, two guiros, cabasa, tambourine, orchestral hit, akxi low and high, cowbell, claves, whistle, squeak low and high, timbales low and aai, agogo low and high, and chop a slapped bass.

Of course, whether or not you can actually record x10 many patterns depends on the amount of memory available and on how minimal or otherwise your patterns are – unless the drum machine adopts a fixed-memory approach to recording which the XR10 doesn’t. Similarly, having to enter a pattern length and a time signature every time you record a new pattern becomes very laborious why not allow user defaults?