Read about the legend that inspired Debussy’s prelude “La Cathédrale engloutie ” or “The Sunken Cathedral”. Preludios para Piano – No La catedral sumergida official lyrics by Claude Debussy.
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Performer Pages Chiara Bertoglio Piano. Productions du Moliantegok, The rising pentatonic theme in measure 1 theme 1 repeats in measure 3, 5, 14, 15, 16, 17, 84, 85, and with a slight variations in measures and A quintessential example of musical impressionismthe piece depicts the rise of a cathedral from the water and subsequent return to the depths — complete with bells chiming, priests chanting, and organ playing. Arranger Arthur Hartmann The next section is a subset of A, noted as c in the timeline.
Unsourced material may be challenged and removed. This mode holds until measure 7, beginning a short section using the sumergids mode now in C. These file s are part of the Werner Icking Music Collection. Apparently a re-engraving of the Durand score above.
The Story of Debussy’s “The Sunken Cathedral”
The Story of Debussy’s “The Sunken Cathedral” | Parker Symphony Orchestra
To protect the city, a huge dike was built around it with a single gate that opened for ships during low tide. Schirmer’s Library of Musical Classics, No. The high D in measures 1, 3, and 5; the soprano E octave that occurs 12 times from measures ; the high B in measures 14 and Sounds can be heard of priests chanting, bells chiming, and the organ playing, from across the sea. Arranger Pierre Gouin – Contact. Debussy uses the technique of parallelism also known as harmonic planing in his prelude to dilute the sense of direction motion found in prior traditional progressions.
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Recorded by pianist Ivan Ilic in AprilParis.
The exact reason why Ys became submerged in the sea varies. Following the grand entrance and exit of the organ, the cathedral sinks back down into the ocean measures and the organ is heard once more, but from underwater. These chords bring to mind two things: Ys was a mythical city datedral to have been on the coast of Brittany Northwest France in the Bay of Douarnenez.
12 Pièces pour grand orgue (Debussy, Claude)
After three bars, it modulates to Eb pentatonic, continuing the same thematic idea, again for three bars. The ancient Breton legend of Ys. Contents 1 Performances 1. Isao Tomita arranged the piece for electronic synthesizer as part of his Snowflakes Are Dancing recording of — Creative Commons Attribution-NonCommercial 4.
Kate Cook, Musical Style and Genre: Debussy uses mainly pentatonic modesprimarily the mode C-D-E-G-A, moving this mode through several tonics. Do you like the artist? In this piece, Debussy composes the music using motivic development, rather than thematic development. A second theme theme 2appearing for the first time in measuresrepeats in measures Your video is in XX format and is playable on most pre-installed video players. It begins in measure 28 and introduces a diatonic key for the first time, the key of C major.
He does so and she turns into a mermaid.
Run by a king named Gradlon or Gralon who lived in a palace of marble, cedar, and gold, it was rich in commerce and the arts. April Learn how and when to remove this template message. Retrieved from ” https: Editor First edition reissue. Performer Pages Heather W.
La Catedral Sumergida Sheet Music By Claude Debussy / Mario Ruiz Barbera – Sheet Music Plus
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