Jul 19, Wiki for Collaborative Studies of Arts, Media and Humanities. May 27, Jacques Derrida & Bernard Stiegler: Echographies of Television. “[T]he greatest compatibility, the greatest coordination, the most vivid of. Echographies of Television has 42 ratings and 3 reviews. In this important new book, Jacques Derrida talks with BernardStiegler about the effect of telet.

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Nevertheless, the “accidental” possibility of manipulating the analog image is something which had already been increasingly undertaken by the mass media in recent years.

If there is a specificity of modern teletechnology, then it has something to do with the directness of “live” recording and transmission, and the speed with which what is recorded can be made to travel the farthest distances. Asma rated it really liked it Sep 16, That we experience the eerrida of images in film as a continuous movement is less the result of retinal persistence than it is of the spectator’s expectationswhich work to efface the editing.

File:Derrida Jacques Stiegler Bernard Echographies of Television Filmed – Monoskop

It is a matter of understanding that what comes back is on the one hand what must be fought against, and on the other hand irreducible, originary, and necessary. Jacques Derrida and Bernard Stiegler. That this is possible is because the synthesis we make in our minds when we view an image happens according to conditions related to the technical synthesis effected by the recording apparatus. For this falsification to be effective, there must be an alteration of what was, but televission must also be a belief on the part of the viewer in the “this was” of the photo.

Critical Television Analyses an Introduction. The fact that digitalisation makes very possible the representation of things which were never in front of a lens changes the conditions of belief, specifically the belief that photography is a matter of the return of the past in the present.


Meaning — from Heritage to Horizon. In so doing, we are what we inherit. He therefore asks Derrida if the problem today is that the selection criteria are overdetermined by the “commercial derridaa of industry,” and thus if when Derrida speaks of a ” politics of memory ,” he is talking about regulating the effects of market pressure on the construction of actuality. Paperbackpages.

The ability to do so derives from the fact that even the analog photo is a technical synthesis, and as such exposed to an irreducible potential for falsification. Thus when we derrrida striving to remember the worst for example, the complicity of the French state for the treatment of Jews during World War IIwe are striving to recall the victims, but this means also to call them backnot just for the sake of a present, but for an ongoing struggle, and thus for a future.

To ask other readers questions about Echographies of Televisionplease sign up. Djross rated it really liked it May 22, Sign in Create an account. Gilles Delavaud – Laurie Johnson – – Derrida Today 2 2: This article has no associated abstract. Reducing the image to binary code means breaking the spectrum down into discontinuous elements which can be treated in tflevision way whatsoever.

Although it is possible to manipulate the analog photo, this is as it were an “accidental” possibility, whereas manipulation is the essence of the digital photo. But if there has never been an image-object without a mental image, even so, there has never been a mental image which is not, in some way, the return of an image-object.

Their discussion examines the relationship between the juridical and the technical, and it shows how new technologies for manipulating and transmitting images have influenced our notions of democracy, history and the body.

You are currently using the site but have requested a page in the site. He argues that “actuality” is always a matter of “artifactuality,” involving selection, editing, performativityand thus amounting to a “fictional fashioning”. Indeed, Derrida’s fame nearly reached the status of a media star, with hundreds of people filling auditoriums to echgraphies him ferrida, with films and televisions programs devoted to him, with countless books and articles devoted to his thinking.


What does it mean to speak of the present in a situation of “live” recording? No trivia or quizzes ecnographies. Sheridan rated it did not like it.

Film, History and Cultural Citizenship: Uses editors parameter link Derrida, Jacques ; Stiegler, Bernardeds. Arianada rated it it was amazing Jul 27, The doubt and fear caused by the analogico-digital image is therefore also what would make possible this more knowing belief. Chapter 4 Inheritances — and Rhythm.

My library Help Advanced Book Search. The destabilisation of knowledge caused by digitalisation may induce fear, but analog photography also caused people to be afraid: Learn how and when to remove these template messages.

Echographies of Television Filmed Interviews

This article relies too much on references to primary sources. The performativity of the event exceeds all anticipation or programming, and hence contains an irreducible element of messianism, linking it to justice here distinguished from lawas well as to revolution. What televisjon means for the analogico-digital image is that, as increasing analytical possibilities emerge from the televisioh of the image, the descriptions and rules which emerge from these possibilities will at the same time mean the transformation of what is being described.

There is a definite chain of light events, connecting the moment the camera records an image and the moment the developed photograph is seen.

Echographies of Television: In Search of New Lifestyles

Views Read Edit View history. Jacques DerridaBernard Stiegler. Peter Brooker –